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从荣格原型理论来分析电影《一个陌生女人的来信》中的女性形象

This Paper Analyzes the Female Images in the Film “Letter From a Strange Woman” From the Perspective of Jung’s Archetype Theory

心理咨询理论与实践 / 2021,3(10)：754-757 / 2021-11-01 893 493

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• 作者： 兰丽     
• 单位：

  嘉兴南洋职业技术学院, 嘉兴

• 关键词： 荣格原型；自性化；女性成长
• Jung archetype; Individuation; Female growth
• 摘要： 《一个陌生女人的来信》由国内著名女性导演徐静蕾导演并参与主演的一部电影，电影根据奥地利作家史蒂芬·茨威格创作于1922 年的同名小说改编，描绘了一个女人执着而凄美的一生。整部电影充斥着淡淡的哀伤。电影中的女主角，在少女时期爱上了风流的男记者，在明知对方不把自己当作真爱的情况下，坚持怀孕生子，直到临终时，她用信的形式将自己曾经的心路历程告诉对方。女主的成长历程与荣格的“原型”理论相契合，本文试图从荣格分析心理学的角度，基于对影片中女性形象的分析，探寻在“男尊女卑”的集体无意识背景下，女性是如何完成其自性化成长之路的。
• “A letter from a strange woman” by the domestic famous female director Xu Jinglei directed and participated in the leading role of a film, the film is based on the Austrian writer Stephen Zweig created in 1922 adaptation of the novel of the same name, describes a woman’s persistent and poignant life. The film is filled with a touch of sadness. In the movie, the heroine fell in love with a romantic male reporter when she was young. She insisted on getting pregnant and giving birth when she knew the other side did not regard her as true love. Until her death, she told the other side her heart course in the form of a letter. The growth process of the heroine is consistent with Jung’s “archetype” theory. This paper attempts to explore how women complete their self-growth under the collective unconscious background of “men are inferior to women” based on the analysis of female images in the film from the perspective of Jung’s analytical psychology.
• DOI： https://doi.org/10.35534/tppc.0310094
• 引用： 兰丽．从荣格原型理论来分析电影《一个陌生女人的来信》中的女性形象［J］．心理咨询理论与实践，2021，3（10）：754-
  757．