As the world's first ceramic item inscribed on the World Intangible Cultural Heritage List, Longquan celadon is a symbol of Chinese porcelain-making culture, representing the outstanding artistic achievements of the Chinese nation, and witnessing the splendid course of China's development to the world and the world's understanding of China. In the face of endless innovation in the exhibition industry driven by new technologies, the exhibition communication channels and communication methods featuring traditional culture need to be optimized and enriched. This paper takes the Longquan World Celadon Conference as the research object, and uses the AISAS model theory to explore the brand building and communication path of the conference. It is found that the World Celadon Congress combines its own cultural characteristics, and the communication channels are mainly divided into five aspects: channel communication, technical leverage, information retrieval, live broadcast sales and online and offline cooperative publicity. While ensuring its own advantages, it provides users with a diversified exhibition experience and effectively disseminates traditional excellent culture. This study aims to share the successful experience of experiential exhibitions with traditional culture as the theme, and provide feasible suggestions for the branding and communication of such exhibitions.