国际中文开源期刊平台

古雅宜心——雍正乾隆两朝仿宋瓷器美学分析

Classic Elegance Entertain The Soul —Aesthetic Analysis of the Porcelains Made in Yongzheng and Qianlong Reign Imitating Works of Song Dynasty

社会科学进展 / 2021,3(2)：174-187 / 2021-04-19 677 578

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• 作者： 蒋清扬      魏金美     
• 单位：

  东南大学，南京

• 关键词： 雍正；乾隆；仿宋瓷器；美学
• Yongzheng; Qianlong; Porcelains imitating works of Song Dynasty; Aesthetics
• 摘要： “古雅宜心”典出乾隆赞美御窑厂烧制的仿宋名窑瓷器的御制诗句“古香古 色雅宜心”。宋代名窑作品以其独特的魅力深受雍正、乾隆皇帝喜爱，因此雍正乾隆两朝有许多仿宋名窑瓷器的作品。本文主要研究雍正乾隆两朝仿烧宋代青釉系统的汝、官、哥、钧釉瓷器，运用历史唯物主义思想，结合以实学美学为代表的清代美学和以宋代理学、禅宗思想为代表的宋代美学，分析雍正乾隆两朝仿宋汝、官、哥、钧釉瓷器的艺术成就。同时，重新审视仿造的方法在陶瓷艺术品生产中的作用，为陶瓷艺术品生产技术的传承保护及新产品开发提供新思路。
• “Classic elegance entertain the soul” is derived from a poem of Emperor Qianlong which praises the porcelain made by famous kilns in Song Dynasty. These masterpieces were deeply loved by Emperor Yongzheng and Emperor Qianlong for their unique charm, so there were many works imitating famous kilns in Song Dynasty in their reign. This paper focuses on the imitation works of Ru, Guan(official), GE and Jun glazed porcelains made in Yongzheng and Qianlong reign, and analyzes their artistic achievements by using historical materialism, combining the aesthetics of the Qing Dynasty represented by practical aesthetics and the aesthetics of the Song Dynasty represented by Neo Confucianism and Zen Buddhism. Meanwhile, re-examine the role of imitation methods in the production of ceramic art, and provide new ideas for the inheritance and protection of ceramic art production technology and new product development.
• DOI： https://doi.org/10.35534/pss.0302009
• 引用： 魏金美，蒋清扬．古雅宜心——雍正乾隆两朝仿宋瓷器美学分析［J］．社会科学进展，2021，
  3（2）：174-187．