Immersing in the Moment of Dylan’s Winning the Nobel Prize for Literature to Explore Development Prospect of Subject of Foreign Song-Poem Artistic Narratology
The “definition” of the Nobel Prize for literature has always stipulated that the world’s idealistic writers should enjoy circle accept ion focusing on within the scope of literature. However, the 2016 cup was awarded to a “music writer” for the first time.It is self-evident that Nobel Prize conveyed in awarding has a timely sensitive “response” to change of literary concepts.On one hand, we are pleased to see inheritance and innovation of traditions of folk songs of the Middle Ages in cultural modernity; on the other hand, we conservatively call for processes of canonization of literature not only to be cross-media but also to be cross-border.That is to say,literary event history cannot replace event history of literature.As for the already emerging contact between literature and music, we regard this 2016 literary landscape with obvious music-flavor literature works as the best contact to construct the discipline of Song-Poem Artistic Narratology Subject.The issues should include how to “find” position and mission of the classification with disciplinization and scientific principle awareness between middle ancient tradition and the modern rebellion and at the same time how to reverse the music landscapes and expression theories between Ivory Tower and road inn into a kind of cultural capital and productivity in the post capitalist era.This is the way to answer what is gone with smoke and cloud cannot be so called canonicying and disciplining.