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张杨的“朝圣”之路 ——从《冈仁波齐》《皮绳上的魂》看作者表述

Zhang Yang’s “Pilgrimage” —Author’s Narrative in Path of the Soul, Soul on A String

影视戏剧评论 / 2024,4(2)：87-92 / 2024-07-29 187 181

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• 作者： 刘畅     
• 单位：

  武汉大学，武汉

• 关键词： 张杨；《冈仁波齐》；《皮绳上的魂》；作者表述
• Zhang Yang; Kailash; Soul on the Rope; Author's statement
• 摘要： 在商业文化与商业电影盛行浪潮的背景下，“作者”的概念逐渐凸显颓势。张杨并不甘心自己的作品只成为大众的消费娱乐品，而想回到电影本身，并努力探寻导演创作的真正自由，《冈仁波齐》《皮绳上的魂》应运而生。作为一个自觉的主体，张杨在作品中对自己的世界观进行自由的、创造性的言说，探寻着藏地符号的精神意义，发现“在路上”的价值找寻，从而给当代人营造精神栖息地并带来心灵疗愈。他作为电影作者将自己从成规中不断剥离，通过对外部世界的表述搭建自己的世界观，形成了独树一帜的作者表述，走在了电影的朝圣之路上。
• In the background of commercial culture and commercial movies, the concept of "author" has gradually become prominent. Zhang Yang is not willing to let his works only become consumer entertainment for the public, but wants to return to the film itself, and strives to explore the true freedom of director's creation. "Kailash" and "Soul on the Rope" came into being. As a self-conscious subject, Zhang Yang speaks freely and creatively about his world outlook in his works, explores the spiritual meaning of Tibetan symbols, and finds the value search of "on the road", thus creating a spiritual habitat for contemporary people and bringing spiritual healing. As a film writer, he constantly separated himself from the conventions, built his own world view through the expression of the external world, formed a unique author's expression, and walked in the direction of the film The Holy Way.
• DOI： https://doi.org/10.35534/fttr.0402012
• 引用： 刘畅．张杨的“朝圣”之路——从《冈仁波齐》《皮绳上的魂》看作者表述［J］．影视戏剧评论，2024，4（2）：87-92．