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电影《妮诺契卡》从沉浸于劳动“天职” 到爱欲复苏及生命复活 ——浅析恩斯特·刘别谦的认知、情动 及“卡塔西斯”式触动

From Immersion in Labor “Vocation” to Resurrection of Libido and Life: Ernst Lubitsch’s Cognition, Impulsion and Catharsis Touch in Ninotchka

影视戏剧评论 / 2024,4(2)：58-65 / 2024-07-29 59 128

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• 作者： 张冲     
• 单位：

  北京电影学院，北京

• 关键词： 刘别谦式情动；“卡塔西斯”式触动；爱欲；“劳动”天职
• Liu Biqian type emotion; "Catarsis" type touch; Love desire; "Labor" is the vocation
• 摘要： 1939年恩斯特·刘别谦执导了由比利·怀尔德编剧、葛丽泰·嘉宝主演的喜剧《妮诺契卡》，这部节奏轻快的刘别谦式喜剧电影从法国男性的视角切入，刻画了一位将“劳动”视为天职的苏联女性形象，妮诺契卡与莱昂两个人从街头偶然邂逅、刻板地针锋相对到发展出真诚真实的爱情，电影较好地完成了戏剧性的“突转”。女性妮诺契卡在与法国人的爱欲中生命复苏，随之而来的是多元且充满力量的人之意志亦开始复活。电影《妮诺契卡》将刘别谦式认知、情动及刘别谦式净化与升华细腻而含蓄地呈现出来，其中既有他批判和反讽的事物，亦有他肯定、赞扬的生命、爱能和权力意志。
• In 1939, Ernst Liu Bichien directed "Ninochka," a Billie Wilder comedy starring Greta Garbo, a fast-paced, Liu-like comedy about a Soviet woman who sees "labor" as her calling from the point of view of a French man. Ninotchka and Leon from the street encounter, stereotypical confrontation to the development of a sincere and true love, the film better completed the dramatic "sudden turn". The female Ninotchka in the love with the French life revival, followed by the pluralistic and powerful human will also began to revive. The film Ninochka presents Liu Biqian's cognition, emotion and purification and sublimation in a subtle and implicit way, which not only criticizes and satirizes things, but also affirms and praises life, love and power will.
• DOI： https://doi.org/10.35534/fttr.0402008
• 引用： 张冲．电影《妮诺契卡》从沉浸于劳动“天职”到爱欲复苏及生命复活——浅析恩斯特·刘别谦的认知、情动及“卡塔西斯”式触动［J］．影视戏剧评论，2024，4（2）：58-65．