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从《张协状元》看南戏中的丑脚

On Clowns in South Opera in the Case Study of Number One Scholar Zhang Xie

影视戏剧评论 / 2024,4(2)：49-57 / 2024-07-29 116 91

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• 作者： 黄雅囡     
• 单位：

  中南财经政法大学，武汉

• 关键词： 南戏；《张协状元》；丑角；脚色制
• A kind of southern opera; "Zhang Xie Champion"; A buffoon; Foot color system
• 摘要： 丑脚，是我国民间戏的重要创造，也是中国古典戏曲必不可少的重要行当。南戏《张协状元》是我国现存最早的完整记录丑脚表演形态和舞台特点的剧本，其中丑脚类型众多，各有面貌。虽然较为驳杂，但仍能够窥探出丑脚在南戏中的最初形态和意义。且《张协状元》成书于宋金杂剧至南戏传奇发展演变的过渡时期，丑脚尚有诸多不足。这一阶段丑脚的研究对丑这一脚色发展演变过程具有典型意义。通过分析《张协状元》中的丑脚，可以推出丑脚在南戏中的地位和作用，同时也进一步探索了从南戏到明清传奇的脚色传承。
• Ugly feet is an important creation of Chinese folk opera, and also an essential and important profession of Chinese classical opera. The Southern opera "Zhang Xie No.1 Yuan" is the earliest existing script that completely records the performance form and stage characteristics of ugly feet in China, among which there are many types of ugly feet, each has its own face. Although it is more complex, it can still explore the initial form and significance of the ugly foot in the southern opera. Moreover, "Zhang Xie Champion" was written in the transitional period from the Song and Jin Dynasty drama to the southern drama legend, ugly feet still have many shortcomings. The study of ugly feet at this stage has a typical significance for the development and evolution of ugly feet. By analyzing the ugly feet in Zhang Xie Champion, we can introduce the status and function of ugly feet in Southern Opera, and further explore the inheritance of foot color from Southern Opera to the legend of Ming and Qing dynasties.
• DOI： https://doi.org/10.35534/fttr.0402007
• 引用： 黄雅囡．从《张协状元》看南戏中的丑脚［J］．影视戏剧评论，2024，4（2）：49-57．