国际中文开源期刊平台

望美人兮天一方——论明清美人画与浮世绘美人画的三个审美层次

Long for the Beautiful Women on the other Side of the World—On the Three Aesthetic Levels of Paintings of Beautiful Women in Ming and Qing Dynasties and Ukiyoe

美术视界 / 2022,4(2)：1-12 / 2022-04-14 641 652

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• 作者： 蒋清扬      魏金美     
• 单位：

  东南大学，南京

• 关键词： 明清美人画；浮世绘美人画；审美；生活美学
• Painting of beautiful women in Ming and Qing Dynasties; Painting of beautiful women in ukiyoe; Appreciation; The aesthetics of daily life
• 摘要： 本文以大量美人画作品为研究样本，从审美对象的角度进行分类、归纳，论述了明清美人画与浮世绘美人画的审美价值。从美学的角度来看，明清美人画与浮世绘美人画都具备三个审美层次：外观形象之美、生活日常之美和意趣精神之美。这三个审美层次在逻辑上有一定的包含关系。我们可以通过这三个审美层次来鉴赏、评价明清美人画与浮世绘美人画的艺术水平。
• Taking abundant meiren paintings (paintings of beautiful women) as research samples, this essay classifies and summarizes them from the view of aesthetic objects, and discusses the aesthetic value of meiren paintings in Ming and Qing Dynasties and ukiyoe. From the perspective of aesthetics, both meiren paintings in Ming and Qing Dynasties and ukiyoe have three aesthetic levels: the beauty of external appearance, the beauty of daily life and the beauty of interest and spirit. These three aesthetic levels are included one by one in logical. We can appreciate and evaluate the artistic level of meiren paintings in Ming and Qing Dynasties and ukiyoe through these three aesthetic levels.
• DOI： https://doi.org/10.35534/fav.0402001
• 引用：
  蒋清扬，魏金美．望美人兮天一方——论明清美人画与浮世绘美人画的三个审美层次［J］．美术视界，2022，4（2）：1-12．