After the adapted science fiction film Dune directed by Dennis Villeneuve swept cinemas worldwide in 2021, Dune 2 three years later once again presents the grand and complex future ecology on the screen. The dune world, which once existed only in imagination, has been concretized through the audiovisual industry to meet the audience and achieve mutual connection through isomorphism with consciousness. This is what French philosopher Stigler called ‘Archi-cinéma’, also known as the ‘Tertiary Retention’ of technology. Although technology and mechanized storytelling are only part of the film’s portrayal of the sand dune ecology, thanks to Stigler’s perspective, interpreting Dune 2 from the angles of technological representation, archi-cinéma, and technological pharmacology, we can still see more dialectical thinking about technology in this film.