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“泪世界”的公共传播空间与中国早期电影感伤民族主义叙事
The Public Communication Space of “World of Tears” and Formation of the Sentimental Nationalist Narrative of Early Chinese Cinema
- Authors: 张成
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Information:
中国艺术报社，北京
- Keywords: 公共传播；“泪世界”；启蒙；感伤民族主义
- Public communication; “World of Tears” ; Enlightenment; Sentimental nationalist style
- Abstract: 本文聚焦20世纪20年代中国早期电影兴起时，公共传播空间“悲情”的情感框架，并探讨这一情感对中国早期电影兴起的影响。悲情与民族主义叙事合流，形成了感伤民族主义的电影叙事样式。
- This paper researches the emotional framework of pathos in the public communicationspace during the emergence of early Chinese cinema in the 1920s to explore its influence on the start ofChinese cinema, and to discuss how pathos merged with nationalist narratives to form a sentimentalnationalist film narrative style.
- DOI: https://doi.org/10.35534/cnr.0403009
- Cite: 张成．“泪世界”的公共传播空间与中国早期电影感伤民族主义叙事［J］．中国新闻评论，2023，4（3）：71-81．
